The Bell Jar

The Bell Jar

$12.76

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$12.76

SKU: 9780062444479 Category:
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A realistic and emotional look at a woman who falls into the grips of insanity written by the iconic American writer Sylvia Plath“It is this perfectly wrought prose and the freshness of Plath’s voice in The Bell Jar that make this book enduring in its appeal.” — USA TodayThe Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. Sylvia Plath masterfully draws the reader into Esther’s breakdown with such intensity that Esther’s insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Sylvia Plath's shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity

Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

“It is this perfectly wrought prose and the freshness of Plath’s voice in The Bell Jar that make this book enduring in its appeal and make it as meaningful . . . as it was 25 years ago.” “Esther Greenwood’s account of her years in the bell jar is as clear and readable as it is witty and disturbing. . . . [This] is not a potboiler, nor a series of ungrateful caricatures: it is literature.” “The first-person narrative fixes us there, in the doctor’s office, in the asylum, in the madness, with no reassuring vacations when we can keep company with the sane and listen to their lectures.” “The narrator simply describes herself as feeling very still and very empty, the way the eye of a tornado must feel. The in-between moment is just what Miss Plath’s poetry does catch brilliantly—the moment poised on the edge of chaos.” “As clear and readable as it is witty and disturbing.”

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