Desiring Voices

Desiring Voices


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“How do I love thee? Let me count the ways,” wrote Elizabeth Barrett Browning in her Sonnets from the Portuguese.Desiring Voices: Women Sonneteers and Petrarchism proposes that we attend to the ways that women poets from the sixteenth through the twentieth centuries have both echoed and transformed the literary and erotic conventions that strongly influenced their fates as women, wives, and lovers.

Mary B. Moore analyzes and provides context for love sonnet sequences by Italian, French, English, and American women poets in the light of current knowledge concerning attitudes towards women at the time they wrote. Through close readings of the poems combined with theory and criticism about constructs of women, historical events, and biographical contexts, Moore reveals patterns of revision among women poets that shed further light on the poets themselves, on Petrarchism as a convention, and on ideas about women. She focuses on Petrarchan sonnet sequences by women because the poems serve both as works of art and as documents that illuminate the range and limitations of female roles as erotic subjects (agents of speech, action, knowledge, and desire) as well as their more usual roles as erotic objects.

Combining theory with close reading, Moore enhances the value of many generally neglected poems by women. After a thorough discussion of the Petrarchan sonnet tradition, she analyzes the work of Gaspara Stampa, Louise Labé, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay.

Mary B. Moore is an assistant professor of English at Marshall University. She is the author of The Book of Snow, a collection of poems.

“Mary Moore’s astute and humane commentary on a variety of sonnet sequences by women is most welcome: there is no book quite like it. Ranging from the Renaissance to the twentieth century, from Italy to America, Moore reads with impressive subtlety and infectious passion. Nobody interested in women’s writings or the history of the sonnet should ignore her work.”—Anne Lake Prescott, author of French Poets and the English Renaissance

Additional information

Weight 1 oz
Dimensions 1 × 6 × 9 cm