Danger Pay

Description

"You're going where?" Carol Spencer Mitchell's father demanded as she set off in 1984 to cover the Middle East as a photojournalist for Newsweek and other publications. In this intensely thoughtful memoir, Spencer Mitchell probes the motivations that impelled her, a single, Jewish woman, to document the turmoil roiling the Arab world in the 1980s and 1990s, as well as how her experiences as a photojournalist "compelled [me] to set aside [my] cameras and reexamine the way images are created, scenes are framed, and how 'real life' is packaged for specific news stories."

In Danger Pay, Spencer Mitchell takes us on a harrowing journey to PLO military training camps for Palestinian children and to refugee camps in the Gaza Strip before, during, and after the first intifada. Through her eyes, we experience the media frenzy surrounding the 1985 hijackings of TWA Flight #847 and the Italian cruise liner Achille Lauro. We meet Middle Eastern leaders, in particular Yasser Arafat and King Hussein of Jordan, with whom Spencer Mitchell developed close working relationships. And we witness Spencer Mitchell's growing conviction that the Western media's portrayal of conflicts in the Middle East actually helps to fuel those conflicts—a conviction that eventually, as she says, "shattered my career."

Although the events that Spencer Mitchell records took place a generation ago, their repercussions reverberate in the conflicts going on in the Middle East today. Likewise, her concern about "the triumph of image over reality" takes on greater urgency as our knowledge of the world becomes ever more filtered by virtual media.

Carol Spencer Mitchell (1954-2004) covered the Middle East and North Africa for many leading U.S. and European publications, including Newsweek, Time, U.S. News & World Report, Look, the New York Times, the Washington Post, the Los Angeles Times, Newsday, and the Philadelphia Inquirer.Ellen Spencer Susman, Carol’s sister, is currently the host and producer of Balancing Your Life with Ellen Susman, an award-winning television series that airs nationally on PBS. She lives in Houston, Texas.

Foreword

Acknowledgments

Prologue

Part I: There's a New Kid in Town

1. The Burning Bush

2. Reorienting

3. Crossing the Bridge

4. Ode to Abu Ammar

5. Gaza Slick

6. Photo Op

7. A Room with a View

Part II: The Moment and the Mask

8. His Majesty

9. Let's Get Some Color

10. House of Hashem

11. Up, Up, and Away

12. Private Conversations (I)

Part III: Passing Through

13. TWA Flight #847

14. Exile

15. Cruising

16. Caviar, Khat, and Cover Pix

Part IV: Inside Terror, Inc.

17. Dance into Darkness

18. Journalists Are Used to Danger

19. He Who Builds

20. Private Conversations (II)

21. Promise Me I Won't Be Touched

22. Lebanon

Part V: Travels in Sudan

23. Sorry, All Lines Are Jammed

24. Wau (Wow!)

25. I Don't Know What I'm Feeling

26. You Need Something to Peg the Story On

Part VI: The Striptease

27. Everybody Must Get Stoned

28. Photo-Realism, the "Real" Picture, and the Ingathering

29. The Striptease

Part VII: The Mother of All Battles

30. What the Hell Am I Doing?

31. The Sealed Room

32. The Striptease, Take 2

Epilogue

33. The Old Man

34. War on Another Front

Reading Danger Pay was a harrowing experience. Being a photojournalist on the front lines in the Middle East is no easy assignment. Writing about it with such vivid detail and thoughtful analysis is an equally impressive feat. This is a truly moving memoir in every way.
A deeply felt and moving account from an enterprising and conscientious news photographer who worked the always busy beat of the Middle East in the last, great days of film photography.